March 2012
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“Beyonce made me masturbate to my own song.”
– Caleb Followill, on Beyonce’s cover of “Sex On Fire” (via kolquotes)
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February 2012
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and I continue to hear Dean/Cas in every song I... →
homoerotics:
and you gave me love when I could not love myself and you made me turn from the way I saw myself and you’re patient, love and you help me help myself and you save me
- Save Me, Gotye
REMEMBER WHEN LAST MONTH MY BFF BRIDGET MADE THIS DESTIEL FANVID SET TO THIS EXACT SONG???
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Fun Fact!
commanderspock | avid | bastardfromabasket | ghostbono
t.u.m.b.l.r. actually stands for the types of posts you can use!(:
Text
Phouto
M‘Quote
Libnk
Chalt
Aurdio
(Video.)
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WE LIKED YOU BETTER FAT: CONFESSIONS OF A PARIAH
nervousbreakdance:
There’s this really nice piece at underthegunreview.net by Jacob Tender that a friend forwarded me today. It’s about how important Fall Out Boy’s album “From Under the Cork Tree,” was to him. After reading it though, nostalgic and well-written as it was, I really found myself more depressed than anything. It’s a complicated feeling, one that I’ve been incapable of explaining...
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rlottery:
aflightybroad:
Bon Iver: I shoot the lights out, hide til its bright out. Whoa, just another lonely night. Are you willing to sacrifice your life?
Radiohead: Coming down the chimney. Release me. Release me. Yeah. Release me. Release me.
Brand New: I am not your friend. I’m not your lover. I’m not your family. Yeah. Yeah. Yeah, yeah. (Oh.) Yeah.
The Beatles: Number nine. Number...
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underwaternow:
littlefooted:
Bon Iver: And I told you to be patient, and I told you to be fine. I told you to be balanced, and I told you to be kind, but now all your love is wasted. And then who the hell was I?
Death Cab: So one last touch and then you’ll go and we’ll pretend that it meant something so much more. But it was vile, and it was cheap and you are beautiful but you don’t mean a...
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Question: If Community isn’t renewed and this is your last day on set ever, what will you take away from this experience and what will you miss the most?
Gillian Jacobs: I’m going to cry. It so far exceeded my expectations of what the show would be. This is one of the best pilots I’ve ever read, so already my expectations were high. Then shooting the pilot -
[Jacobs begins to cry.]
Yvette Nicole Brown: Oh, it’s OK, Stinkers. She’s such a pretty crier. My God, she’s a pretty crier.
Gillian Jacobs: I’ve never worked with a group of people that have impressed me so consistently on such a daily basis. I feel like given the nature of this show, we’ve been thrown everything from an action movie to a noir to My Dinner With Andre. Everybody rose to it every single week. The writing and the creativity and the scope and the ambition of the show has been— [Jacobs’s sobbing becomes ragged.]
Yvette Nicole Brown: Oh, well. I can’t sit here and not hug you.
[Brown and Brie embrace Jacobs.]
Gillian Jacobs: Yeah. For all the people that have only heard about our show—it’s spoofs, it’s pop culture, it’s genre—they’re missing the fact that these are different, new characters on television that people have grown to love. So even when we do an episode which is set in the apartment and there’s no obvious spoof or takeoff, people still want to watch it because they love and care about these characters.
[Brie begins to cry.]
Yvette Nicole Brown: Oh, Stinker, what’s happening? Oh, my girls. Oh, my little pumpkins.
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